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Venice Through the Square Frame.

Posted on 14/12/25

Venice Through the Square Frame: My Sixth Return

This was my sixth visit to Venice, and yet the city continues to reveal itself in new ways. Four days of early mornings, atmospheric mist, and the distinctive click of my Hasselblad—this time, I was determined to see La Serenissima through the square format's unique perspective.

A City Built on Water and Dreams

Venice has enchanted visitors for over a millennium. Built across 118 islands in a shallow lagoon, this architectural marvel emerged in the 5th century as refugees fled barbarian invasions. What began as a cluster of wooden huts on muddy islands became the most serene republic, a maritime empire that ruled the Mediterranean for centuries. Today, the city's timeless beauty continues to captivate, even as it slowly sinks into the very waters that give it life.

The Square Format Revelation

Shooting with the Hasselblad's 1:1 format transformed how I saw Venice. The square frame demands a different kind of composition—more balanced, more considered. It strips away the excess and forces you to focus on what matters: the interplay of architecture and water, the geometry of weathered mooring posts, the symmetry of arched colonnades.

Chasing Mist and Morning Light

The early mornings were magical. Venice before dawn belongs to the photographers and the ghosts. I watched the mist roll across the lagoon, softening the famous peach and terracotta facades into dreamlike silhouettes. The wooden pali—those ancient mooring posts—emerged from the fog like sentries, their algae-stained bases disappearing into mirror-smooth water.

The reflections were extraordinary. Modern buildings caught in the ripples, distorting reality into something almost surreal. A simple lamppost and church spire at dusk, their warm glow doubled in the still canal below. These weren't just reflections—they were conversations between past and present, between what is and what appears to be.

Bridges in the Night

As darkness fell, I found myself drawn to Venice's bridges. There's something intimate about them at night, when the day-trippers have departed and the city exhales. The Ponte de le Bande near San Marco, its stone steps worn smooth by centuries of footfalls, glowing under a single streetlamp. Another bridge elsewhere, its white arches framing a moored gondola and the turquoise water beyond.

Each bridge became a stage set, lit by golden lanterns that pushed back against the blue hour. The square format captured these scenes perfectly—architectural elements balanced against water, light against shadow, the eternal dance of Venice.

The Details That Matter

What fascinated me most on this visit were the details I'd perhaps overlooked before. The weathered iron railings on a small bridge, the moss-green water stains on ancient brick, the way a single Gothic window reflects centuries of history. The Doge's Palace arcade at dawn, its repeating arches and geometric floor pattern leading the eye toward distant lagoon light.

These are the moments the Hasselblad was made for—medium format detail that captures not just what Venice looks like, but how it feels. The weight of history in every stone. The patience of water slowly, inexorably, reclaiming the city.

Returning Again

Six visits, and Venice still surprises me. Each time I return with different eyes, different tools, different light. The square format taught me to slow down, to see the city as a collection of perfectly balanced compositions rather than sweeping vistas.

Will there be a seventh visit? Without question. Venice has that effect on people—it becomes a recurring dream you're always trying to recapture, a love affair that never quite concludes. Next time, perhaps I'll chase the storms, or explore the outer islands, or simply find new bridges to photograph at night.

Venice Through the Square Frame.

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