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About

One of many visits to Iceland
One of many visits to Iceland

From Corporate Life to Chasing Light Around the World

Sixteen years ago, a single trip to China ignited a passion that would completely transform my life. What started as casual snapshots became an all-consuming love affair with photography that led me to eventually have the opportunity to trade my telecommunications business for a camera bag and an insatiable wanderlust.

I’m completely self-taught – just me, a few photography magazines, and countless YouTube videos figuring it out as I went. My first real photography adventure was with Lee Frost in Northumberland back in 2007, and that moment changed everything. Since then, I’ve been fortunate enough to chase extraordinary light across continents, from dramatic landscapes to vibrant cultural celebrations, always searching for that perfect shot.

New Zealand 2025
New Zealand 2025

Iceland has stolen my heart

Fifteen visits and counting! There’s something about that rugged, otherworldly landscape that calls to me. I’m convinced I lived there in a past life. When I’m not planning my next Icelandic adventure, you’ll find me exploring everywhere from New Zealand’s pristine wilderness to remote corners of the world most people never see.

The recognition has been incredible – being commended twice in Landscape Photographer of the Year alongside some of the world’s most talented photographers still feels surreal. But honestly, the real reward is those magical moments when everything aligns: the light, the landscape, the weather – and I’m there with my camera to capture it.

When I’m not travelling, I’m probably tinkering with wood turning, fishing, maintaining my marine aquarium, or attempting watercolour painting. My long-suffering wife Jude and our adorable cockapoo Molly have learned to embrace my photographer’s schedule (translation: they enjoy the peace and quiet when I’m off chasing sunrises!). My two adult children (Oliver & Abigail) have been amazing travel companions over the years, and some of my favourite shots include memories we’ve created together.

Fox Glacier New Zealand
Fox Glacier New Zealand

Every photograph tells a story 

Whether it’s available in my gallery or tucked away in my personal collection, each image represents a moment, a feeling, an experience I couldn’t bear to let slip away.

Welcome to my world. I hope these images transport you to the incredible places I’ve been privileged to explore.

Hand-Turned Pens - A Growing Passion

Eighteen months ago, during travels through Namibia, I watched a local carpenter transform rough Camelthorn wood into beautiful objects in his small workshop. That encounter sparked something that's become a genuine passion - the art of hand-turning pens from exotic and meaningful timbers.

I've recently joined the International Association of Penturners (IAP), and through their exceptional forums and resources, I'm actively developing the hand-turned pen side of my portfolio. The IAP is a brilliant global community where experienced craftspeople generously share their knowledge, from technical tutorials and material guidance to honest feedback that accelerates the learning process.

What draws me to penturning is the opportunity to work with woods that carry real stories. Through my photography travels worldwide, I source timber from remarkable places - Irish Bog Oak preserved for millennia, Jerusalem Olive from the Holy Land, Himalayan Yew from Bhutan, Apple Wood from historic Fulham Palace Gardens. Each pen connects its owner to a specific place, a piece of history, a meaningful narrative.

These aren't mass-produced objects. Each pen is individually hand-turned, crafted with attention to the wood's unique character, finished to bring out its natural beauty. They're designed to be used daily, to develop their own patina over years of handling, to become trusted companions for writing and thinking.

Hand-turned pens complement my photography beautifully - both require patience with process, attention to materials and composition, and commitment to quality over speed. They sit at the intersection of craftsmanship, storytelling, and connection to place - values that run through all my creative work.

I'm still early in this journey, still learning, still discovering how much there is to master. But with the support of the IAP community and ongoing practice, the hand-turned pen collection is becoming an increasingly significant part of what I create - small objects with meaningful weight, functional beauty, and stories worth telling.


Member, International Association of Penturners
Each pen a story, each story worth telling